“Art is not a mirror to reflect reality, but a hammer to shape It”
Drama at St Mary’s focusses on the development of the whole person whilst raising the cultural capital of all who study it as well as developing the students into global citizens. The curriculum is vertically integrated and designed to develop both the practical skills needed for Drama as well as the knowledge of its historical development through the ages.
Drama is taught once per fortnight in Year 7, once a week in year 8 and students select to study it as an option in Year 9 where they undertake a mini GCSE.
Drama in Key stage 3 is focussed on the promotion of social justice, increasing the students’ knowledge of the wider world and the development of both their performance and social skills. They should be culturally aware of themselves through exploration techniques identifying different character traits, behaviours and relationships. They should be able to understand different theatre styles and know how Drama can be used as a vehicle for change and has been throughout history. All pupils should have the experience of creating and performing both their own work and that of other playwrights. They should know how a play is transferred from the page to the stage. All students should have the opportunity to visit the theatre and to see theatre in a variety of styles. In Key stage 4 students study the WJEC/Eduqas specification. In sixth form students study the Btec Level 3 National Extended Certificate in Performing Arts.
In addition to the curriculum, Drama plays an active part in the extra-curricular life of the Academy. There is an annual musical, a Year 9 showcase and we are also an associate member of the Royal Shakespeare Company’s school programme. The Department runs regular theatre trips in the North West and we ran a successful theatre trip to London on a regular basis prior to the pandemic
Students will study significant events and developments in theatre from its origins in early Greece to Shakespeare and the present day. They will learn about key practitioners in theatre from Stanislavski to Brecht as well as key theatre styles such as Naturalism, Epic theatre, Theatre in Education and Frantic Assembly.
Students learnt to create in a variety of styles culminating in a showcase at the end of Year 9 to parents and staff and at GCSE a devised performance in the style of one of the key practitioners.
Drama in Year 7 is based around the introducing the key skills of Drama using a variety of stimuli. Pupils will be assessed on their performance skills (both vocal and physical) as well as their understanding of theatrical forms and conventions.
Subject: Pied Piper
Key concepts:
Storytelling from stimulus
Devising a piece of theatre from stimulus
Basic theatre conventions
Speaking loudly and clearly
Creating characters using voice and movement.
Domains of knowledge:
Vocal skills
Body posture/gesture
Self/Peer Assessment
Subject: Script
Key concepts:
Bringing characters to life
Transferring a play from the page to the stage
Blocking
Disciplined rehearsal.
Domains of knowledge:
Vocal skills
Body posture/gesture
Self/Peer Assessment
Group work
Line learning
Understanding a script.
Subject: Ghosts, Myths and Legends
Key concepts:
Devising
Theatrical conventions
Using research to create believable characters
Domains of knowledge:
Vocal skills
Body posture/gesture
Self/Peer Assessment
Group work
Line learning
Understanding a script
Mind mapping
Creating believable characters
In Year 8 we continue to develop the key skills of Drama and assess their performance skills. We also introduce the historical journey of Drama from its origins in Greece through to the modern day.
Subject: Greek theatre
Key concepts:
Drama originated in Ancient Greece
Everyone went to the theatre
Theatre was seen as a form of worship
All the Actors wore masks
The Greek chorus was the first chorus.
Domains of knowledge:
Voice
Movement
Greek theatre as a genre
Line learning techniques
Subject: Shakespeare
Key concepts:
No female actors
Everyone can relate to Shakespeare
Everyone went to the theatre
Shakespeare is relevant today
Domains of knowledge:
Vocal skills
Enjambment and iambic pentameter
Stage fighting
Line learning
Characterisation
Historical and social context.
Subject: Scripts
Key concepts:
Theatre can be created to entertain and educate
Characters are 3 dimensional
Different types of theatre
Domains of knowledge:
Stanislavski
Vocal and physical skills
Types of staging
Evaluation
Historical and social context
Students focus on theatre practitioners in depth (Stanislavki, Brecht and Frantic Assembly).
Subject: Stanislavski
Key concepts:
Naturalism
The System
Drama as a reflection of real life
Domains of knowledge:
Stanislavski (historical and social context)
Applying techniques in performance
Knowledge of The System
Contemporary adaptations
Critical evaluation
Subject: Brecht
Key concepts:
Epic theatre.
Theatre as a vehicle for change and empowerment.
Domains of knowledge:
Brecht (historical and social context).
Knowledge of Epic theatre.
Applying techniques in performance.
Using stimulus as a foundation for a devised piece.
Compare and contrast Epic theatre and Stanislavksi.
Subject: Physical theatre
Key concepts:
Using the body to express subtext.
Learning how to move the body is a dramatic skill
Domains of knowledge:
Physical theatre (historical and social context).
Knowledge of Frantic Assembly.
Applying techniques in performance.
Students follow the Eduqas Specification in Drama. This is assessed through Devising (40%), Scripted Drama (20%) and a written examination which includes an evaluation in of live theatre. This is available to all students even those who haven’t studied the subject at GCSE.
Subject: Styles of performance
Key concepts:
There are different styles of performance.
Domains of knowledge:
Stanislvksi.
Brecht and Epic theatre.
Theatre in Education.
Berkoff.
Assessment
AO2: Apply theatrical styles to realise artistic intentions in live performance. Demonstrate excellent knowledge and understanding of the work and application of three significant theatre practitioners.
Subject: Devising
Key concepts:
Devising is a way of creating Drama.
Domains of knowledge:
Freeze frame.
Thought tracking.
Mime.
Cross cutting.
Monologues.
Symbolism.
Narrator/Multi role.
Choral speaking.
Research
Assessment
AO1: Create and develop ideas to create meaning for theatrical performance. Apply theatrical styles to realise artistic intentions in live performance.
Subject: Exploring and analysing texts
Key concepts:
A play is meant to be performed.
There are different interpretations of a play.
A play can be performed in a variety of styles.
Domains of knowledge:
Genre/structure/character/form And style.
Language/dialogue Stage directions.
Historical, cultural and social context.
Different types of staging Use of performance space and spatial awareness.
Technical aspects (sound, set, lighting and costume).
Assessment:
A series of questions assessing knowledge and understanding of the set text. One question assessing knowledge and understanding of the wider text.
Subject: Devising (unit 1)
Key concepts:
Devising from a stimulus.
Domains of knowledge:
Theatre styles as in Year 10.
Freeze frame.
Thought tracking.
Mime.
Cross cutting.
Monologues.
Symbolism.
Narrator/Multi role.
Choral speaking.
Research.
Theatre practitioners (as in Year 10)
Subject: Scripted Performance
Key concepts:
Bringing a character to life.
Transferring a play from the page to the stage.
Blocking.
Disciplined rehearsal.
Lighting/sound/costume Set.
Domains of knowledge:
Historical and social context.
Characterisation.
Vocal/physical skills.
Identifying subtext.
Types of stage.
Subject: Examination preparation
Key concepts:
A play is meant to be performed.
A play can be interpreted in many ways.
A play can be performed in many different styles.
Domains of knowledge:
Genre/structure/character form and style.
Language/dialogue.
Different stages.
Relations between performer and audience.
Technical aspects.
At A level we study the Pearson Level 3 Extended Certificate in Performing arts. This is equivalent of one A level. There are 4 unit, 3 of which are mandatory and 2 are external. This is for learners for who are interested in learning about the Performing arts alongside other fields of study.
Unit: Developing skills and techniques for live performance
Key concepts:
Explore the technical performance skills with a focus on developing skills and techniques in at least 2 performance styles.
Domains of knowledge:
Understand the role and skills of the performer.
Develop performance skills and techniques of live performance.
Apply performance skills and techniques in selected styles.
Review and reflect on the development of skills and techniques for live performance.
Assessment:
Learning Aim A
A report or presentation demonstrating knowledge and understanding of the roles and skills of the performer.
Learning Aim B/C
A recorded performance Teacher observation records of rehearsal.
Learning Aim D
A performance log that reviews and evaluate the development of skills and techniques through rehearsal and performance.
Unit: Investigating Practitioners work
Key concepts:
Investigate the work of performing arts practitioners and develop critical analysis skills and contextual understanding of how practitioners communicate schemes of work.
Domains of knowledge:
Investigate contextual factors surrounding 2 key theatre practitioners.
The Investigative process (eg selecting primary and secondary sources), collating information and documenting sources.
The relationship between contextual factors, creative intentions and themes.
Critical analysis of the work of the performing arts practitioners.
Be able to present conclusions and independent judgements through effective investigation.
Assessment:
External examination.
Unit: Investigating Practitioners work and optional Unit
In this term, students will complete the previous unit in time for the June examination and may begin the Year 13 units.
Unit: Option (free choice) e.g. Musical theatre techniques
Key concepts:
Explore the key features of musical theatre, developing specialist skills and techniques as a musical theatre performer combining acting, singing and dance skills for a performance.
Domains of knowledge:
Understand the key features of musical theatre performance.
Develop skills and techniques in musical theatre.
Apply musical theatre skills and techniques to a performance.
Review personal development and own performance.
Assessment:
A report or presentation demonstrating knowledge and understanding of the key features of musical theatre.
Recorded footage that demonstrates the development and application of skills and techniques for a musical theatre performance lasting 4-6 minutes.
Final performance Performance log that reviews and evaluates the development and application of musical theatre skills and techniques for a performance.
Unit 3: Group performance workshop
Key concepts:
Explore and integrate creative, physical and vocal skills and techniques working collaboratively to create a performance in response to a given stimulus.
Domains of knowledge:
Generating and exploring ideas from stimulus.
Develop and realise creative ideas for a group performance in response to stimulus.
Personal management and collaborative skills.
Communicate creative intentions through group workshop performance.
Review and reflect on the effectiveness of the working process and the workshop performance.
Assessment:
External Assessment